I enjoy subscribing to the blogs of my photographers because I receive the posts at the same time as everyone else. I do not work with them on their content so it is a pleasant surprise to see what they are inspired to post. Recently, this one appeared in my inbox from Leigh Beisch. The project she refers to in the post is so beautiful I decided to subscribe to the blog that features the project – Vinography.
Many facets of wine contribute to its allure and mystery. But foremost among wine’s most magical qualities must be the remarkable landscape of flavor and aroma to be found in the glass.
That mere grape juice, given time and the workings of the microscopic kingdom, can yield flavors beyond description has doubtless played a central role in making wine mankind’s most historically sacred fluid, beyond our own lifeblood.
With eyes closed, a glass of wine can transport us not only to climes far removed, but also through time. These journeys are provoked by flavor. Our deep sense memories are drawn from their hiding places, and we find ourselves tasting things that a simple liquid ought not to be able to evoke with such unnerving power.
The flavors of wine are magical and beautiful, and worth celebrating, almost as much as they are worth drinking.
This writing and photography project has been years in the making. Or more correctly, I have fantasized about it for several years, and only recently encountered the collaborators that I felt could truly help me bring it to life:
Photographer Leigh Beisch: Capturing the soul of food is more difficult than you would think. Food photography these days is glaringly unoriginal and boring for the most part — often as hopelessly derivative as it is clinically sterile. Photographer Leigh Beisch’s images of food possess a rare beauty, poetry, and warmth that capture the energy and allure of great food.
Leigh studied painting and photography at the School of the Art Institute of Chicago and at Rhode Island School of Design (RISD). Moving from New York to San Francisco with her husband, an animator, Leigh opened her own studio and quickly attracted major clients like Williams-Sonoma, making a name for herself by creating stunning photographs for product packaging and cookbooks.
“My work as a painter influences my photography,” says Leigh. “Color, shape, texture and the boundaries of the frame are subjects in and of themselves and I try to capture an emotional response to the subject and the setting, as much ad abstract paintings do.”Leigh’s visions has led to commissions that range from editorials for magazines to store displays. Her work has won numerous awards including several Communication Arts prizes in photography and design as well as awards from Graphis and American Photography among others. The cookbooks that she has photographed have received awards from IACP, James Beard and Gourmand.
Prop Stylist Sara Slavin:
Requiring equal parts sculptor, chef, painter, and engineer, good prop stylists, especially those that work with food, are worth their weight in saffron.Art director and prop stylist Sara Slavin collaborates with photographers, designers and publishers on commercial and editorial projects throughout the country, with a special emphasis on the culinary and related arts.She has co-authored numerous lifestyle books and has acted as art director and stylist for such books as Odd Bits, Hot, Sour, Salty, Sweet, Alice Medrich’s Bittersweet and Pure Dessert, Salumi, Williams-Sonoma Entertaining, Country Cooking of France,Southern Pies and Gwyneth Paltrow’s My Father’s Daughter.Her clients include Williams-Sonoma, Restoration Hardware, Design Within Reach, Diageo Estate Wines, Food & Wine Magazine, Chronicle Books, Artisan Publishing, Sunset Magazine and 10 Speed Press.Each week, Leigh, Sara and I will be bringing you a bit of visual poetry — an original photograph and some prose — that captures some of wines most essential elements. I hope you enjoy these as much as we are enjoying their creation.