When in Rome, do as the Romans do.

© Kevin Twomey – http://www.kevintwomey.com

Kevin Twomey spent a few magical weeks in Italy this summer. When he shared his photos and stories with us, we suggested he share them on the blog as well.  Kevin’s account is very beautiful and reminded us of the importance of slowing down.  

“”When in Rome, do as the Romans do.”   When it comes to food, that saying won’t steer you wrong anywhere in Italy you happen to visit and enjoy a meal.

This past August I went to see the in-laws in northern Italy with my wife. We spent a week in the Alps eating, hiking and eating some more. I am a big proponent of eating home cooked meals and locally grown food and I am happy to report there was no shortage of either on my trip.

A mile up the road from my in-laws summerhouse, close to the town of Oltre il Colle, is an abandoned ski resort where a handful of cows graze at the granite peaked base of Monte Alben for the summer months. These cows belong to a local herder, Tobia. Tobia and his brother have lived amongst these mountains their whole lives. Things are much simpler than my current urban city life and it was good to see the old methods of doing things were just the present day routine for people in the surrounding villages.

© Kevin Twomey – http://www.kevintwomey.com

We met Tobia and his brother as they were milking their cows. Sonoyo, my sister-in-law, gets her milk products from Tobia and thinks nothing of the daily errand that I found to be such a luxury. Tobia didn’t have any fancy milking machine, no weird tools or suction devices.  A bucket and an old wooden stool to sit on was all that was required, go figure.

After a few introductions and a brief conversation about weather, health, family and how two of his cows will be turned into Bresaola this fall, Tobia took his bucket full of fresh milk and filled up Sonoyo’s liter bottle.

A few days later we went to Tobia’s house to buy cheese. The first thing I noticed was the breathtaking view surrounding his home. Lush green rolling hills as far as the eye can see, mountains upon mountains towering over on all sides. And the garden! He had a rich array of so many different kinds of vegetables, it was quiet a sight and put my town’s community garden to shame.

© Kevin Twomey – http://www.kevintwomey.com

There was a separate room devoted to storing and aging Tobia’s home made cheese. He had some that was days old to a couple years and he wanted us to taste them all. We had our tasting and made some hard choices of what to schlep back to the states. We walked away with about a two month supply.

It was refreshing to see things done old school style with little fuss producing such high quality product. Tobia has been doing things the same way his father and his father’s father and so on and so forth. Generations not obsessed with doing better but instead knowing what works is sometimes the best way to do it.”

© Kevin Twomey – http://www.kevintwomey.com

If you would like to read more of Kevin’s blog posts, please link here.  He has a particularly moving post that he wrote after the earthquake in Japan.

Haven’t had a chance to see Kevin Twomey’s portfolio up close and personal? See what you are missing.

As I mentioned in our first video portfolio post last week, it is pretty rare when we get to send out a portfolio for a request. Nowadays, they are used mostly for portfolio shows and events.  It doesn’t make them any less important of course.  In fact, I would argue they are even more important now.  They are rarely seen so when they are they need to shine!

We thought it would be great if more people were able to see the portfolio so we asked Marc Viarta, a videographer, to video tape someone reviewing Kevin Twomey’s portfolio.  We added some fun music and posted them to Vimeo.  We will be adding Kevin’s video as well as others from our group to our websites soon.

If you would like to see Kevin’s portfolio in person, please email us – we would love the request!  And, if you would like to see Kevin’s website, please link here.

Link here to see Kevin Twomey’s video portfolio

Birth of a Gummy Bear

When the trend started a few years back where photographers started learning to shoot video, many people wondered how a still life photographer could utilize video and still make it interesting.  Kevin Twomey has shown once again that it is entirely possible to do so by exploring yet another interesting subject, The Birth of a Gummy Bear.  When I asked him about it, here is what he had to say.

“I look at food as a still life challenge, asking myself how I would represent it in a way that stimulates the senses beyond the predictable “mmm, delicious”.   How might I evoke an emotional, rather than salivary, response?

The gummy bear imagery emerged after toying with ideas for a holiday card a couple of years ago, where I explored the after-effects of destroying
candy (mostly by smashing them to bits).  Experimentally melting some pieces, I saw how beautiful they looked as their sugars liquified.  That
led to the microwaving of gummy bears, which then led to my seeking a more precise way of melting: the hair dryer.  As I strategically melted the
gummy bears for my still shots, I noticed how beautifully the thick liquid flowed.  The dynamics were so compelling, I had to film them, not just
melting to their demise, but in a way that celebrates the creation of the beloved candy.”

To see more videos by Kevin Twomey, link to previous blog posts about other videos he created or to his website.

The People Burn Project – An artist works 8 months to create a sculpture just so it can be set on fire.

People Burn Project - Kevin Twomey, paper sculpture

© Kevin Twomey – http://www.kevintwomey.com

Kevin Twomey recently worked on a project that was unlike any other he had experienced in his career.  It was called “The People Burn Project.”  A project created by Fitzgerald + Co. for Bulwark, a company that make flame-resistant clothing.  Their message is powerful, “Because people aren’t fireproof.”

A mere description of the project could never do it justice so be sure to link to the Bulwark site to watch the 8 month time-lapse video, review the  stills from the day of the burn and to watch the video about the project.

Here is what Kevin had to say about the project:

“In April I went to Los Angeles to photograph a paper sculpture, 16’ in diameter, built by Jeff Nishinaka, an incredibly talented, world-renown artist. Taller than me by a couple of feet and as long a van, the structure took 8 months to build, 2 days to piece together, 2 days to photograph in the studio,  but only minutes to burn.

The project was part of a campaign, created by Fitzgerald + Co. for the company Bulwark who makes flame-resistant apparel. The message was wonderfully simple: paper is no less fragile than life.

With a very tight schedule, needing to photograph numerous angles in a day, we decided we would turn the set into a giant 16′ lazy susan and spin it around until we got the right lighting and camera position. It was a perfect and simple solution.

Artist Jeff Nishinaka had created such wonderful detail and character in the figures that the lighting approach for these figures was obvious:  bring these figures to life by bringing out as much detail and dimensionality as possible.

After the still shots of the sculpture were complete it was dismantled and reassembled in a quarry outside of LA. The final step to this project was filming it while it burned into nothing. Watching this was quite extraordinary. As it was burning I glanced over at the artist. I figured he would be sad to watch so many hours of his work go up in smoke but I was surprised to see that he was enjoying the process from beginning to end.”

Kevin Twomey - People Burn project - Paper sculpture

© Kevin Twomey – http://www.kevintwomey.com

Kevin Twomey - People Burn project - Paper sculpture

© Kevin Twomey – http://www.kevintwomey.com

Kevin Twomey - People Burn project - Paper sculpture

© Kevin Twomey – http://www.kevintwomey.com

Kevin Twomey - People Burn project - Paper sculpture

© Kevin Twomey – http://www.kevintwomey.com

Click here for Time Lapse Video of Paper Sculpture Creation

Click here for Video Interview with artist and information about the project

See why Kevin Twomey connects his shoot with a pelican to The Chaos Theory. Check out the images and video and see if you agree.

© Kevin Twomey

After the success of Julianna Baggot’s book PUR, Grand Central Publishing released the second book in the series, Fuse.  And, once again,  Kevin Twomey had the honor of photographing the cover.  And this time, it didn’t feature butterflies.  It featured a pelican.  When we asked Kevin to share some of his experience with us, here is what he wrote.

“There are times when I become so wrapped up in the technical challenges of an assignment that not until its end do I realize how inspiring it was.  The photographing of a pelican’s wing for the cover of Fuse, the second book in Julianna Baggott’s post-apocalyptic trilogy, was just such an assignment.

From the photograph, you can see the impressive 8-foot wingspan of Neptune, the year-old pelican we had the pleasure of showcasing for this assignment.  The relationship with his trainer, Joe Krathwohl, was heartwarming; the pelican toddled behind Joe everyplace he went, even waiting outside the bathroom door for him.  Joe’s knowledge and passion for his work soon prompted us to bestow upon him the title of “bird whisperer”.

But what really inspired me was the turbulence generated by the powerful flap of his wings.  It brought to mind the chaos theory quote about how a bird (or butterfly) flapping its wings can affect the future course of weather halfway around the world.  It generates the indescribable feeling of being at the source of something simple yet incredibly powerful, and not yet knowing in which direction it will go.

And how privileged I felt to be able to capture that moment, from our chaotic environment of passion and expertise and inter-species relationships, when the bird flapped his wings.”

Revisiting a successful portfolio show with Char Eisner and Leo Burnett

I recently went to Chicago for my annual trip to Leo Burnett.  Our regular trip to Chicago happens to be in the fall every year but this particular show is always so successful that I make a special trip.  This year, Kevin Twomey accompanied me which was an added bonus so we snuck in a few other agencies as well.  It was a whirlwind trip – less than 24 hours – but once again Chicago did not disappoint.  Not to mention the weather was 85!

Seeing how consistently well attended Char Eisner’s shows at Leo Burnett are, I thought the timing would be right to revive the post from last year that shared what made them so successful.  It was a post that received a lot of attention from both agents and art buyers.  In an age where portfolio shows are harder and harder to schedule and attendance is often sporadic, I am hopeful sharing this again will help inspire agencies and reps to think of new ways to produce great shows together.

Link here for the post:  A unique approach to portfolio shows that will help both art buyers and reps.  Thank you Char Eisner and Leo Burnett. 

Badges of Distinction – Kevin Twomey shares his experience shooting something unusual.

We always like when our photographers shoot for editorial projects.  They often come away energized and excited about either what they shot or how they shot it.   On a recent shoot for Bicycling Magazine, Kevin Twomey was asked to photograph head badges.  He enjoyed the project so much he surprised us with this blog post.

“One of my recent assignments was with Bicycling Magazine, photographing head tube badges.  Before the project I had never taken much notice because most of todays badges are merely stick-on decals of the company’s logo, like the one on my Gunnar. The attention that was given to creating these badges was quite amazing, as seen in the opening spread of the story.

Most of the badges in the story came from collector Jim Langley, who is very passionate about anything to do with bicycles.  He has been collecting badges since the late 1970’s and now has approximately 600 of them dating from the 1880’s to current day.

After the shoot, I went online to do a little more head tube research and found some people filling the void by creating their own badges. One bicycle shop in Maryland, The Bicycle Escape, created badges out of bottle caps.  Another was a Star Wars Stormtrooper with what looked like a Hello Kitty bow.
So now when someone pulls up next to me on a bike, instead of checking out their components, I’ll be looking for a nice head badge.”

© Kevin Twomey - http://www.kevintwomey.com

Kevin Twomey shoots video because he likes it, not because he should.

There is a lot of conversation now about whether a photographer needs to be shooting video or not.  When a photographer asks us what we think, we always put it back on them and ask them if they WANT to shoot video or not.  Doing so can be a natural extension of what a photographer does on a still shoot so if it is something that a photographer is interested in adding to their capabilities than by all means they should learn to shoot video.  The more a commercial photographer has to offer a client in terms of value, the better.  However, if a photographer has no interest at all in the medium than why pursue it?

Kevin Twomey did not hesitate to learn the medium and look for new ways to incorporate it into his portfolio.  For a still life shooter, shooting video could have its challenges of course.  But, Kevin Twomey found creative and innovative ways to make his images move.

Here are three videos that Kevin created recently (click on image to start the video).  We look forward to seeing what he comes up with next (no pressure Kevin!).

And, if you are interested in seeing Kevin Twomey’s photography, be sure to link to his site here.

"Balloons" - Click on image to view video

"Machines" - Click on image to view video

"Simmons Beautyrest" - Click on image to view video

The Power of Public Works. Kevin Twomey participates in Art in Public Places.

In early 2009, there was a call for artists from Emeryville to submit work for a public arts project based on the theme of Flora & Fauna.  Artists, including Kevin Twomey, were awarded grants from the city to create imagery for Emeryville’s Art in Public Places.   The idea  of this project was to display imagery of the artist’s work in bus shelters, normally reserved for commercial advertisements, bringing the exhibition space to the public.  The exhibition started in October 2009 and runs through September 2012, giving each of the 9 artists four months to display  their work individually in the bus shelters around the city.  Kevin’s photographs are now exhibiting through January 2012. 

The following is a list of the additional artists involved in the project:  Nora Pauwels, Catherine Courtenaye, David D’Andrea, Robert Ortbal, Lenore McDonald, Dean Hunsaker, Laura Anderson, Exhibiting Feb-May 2012, Shawna Peterson, Exhibiting June-September 2012.

When I asked Kevin to share with us what inspired his submission, here is what he had to say.

“I had collected specimens for this project during my many weekend hikes in Marin, covering the beloved Dipsea trail, the trail from Muir Beach to the Marin Headlands and the trails from Muir Woods up to Mt Tamalpais.  My first attempt to bring a dandelion back to the studio was somewhat a naive and comical experience;  trying to protect the fragile flower in its post blossomed state from the wind while attempting to hike a couple of miles back to the car. I think I barely made it 100 yards before I lost the flower head.  The dandelion problem was easily resolved by modifying a small cardboard box that kept the dandelions standing straight up, safely during the hike.

Given the luxury of 6 months to create the images for this project, it allowed plenty of time for the flora to cycle through to the right stage for the photograph.  Such a contrast to the timelines we are given for commercial projects.  Thank you to the City of Emeryville for their great support of the art community.”

Dandelions are not just for salads and wishes.

© Kevin Twomey – http://www.kevintwomey.com

In his own words, Kevin Twomey shares his obsession with all things dandelion.

“Last month while at a restaurant in Brooklyn, I saw that they were offering a Dandelion Salad as an appetizer.  After spending countless hours photographing them, I could not pass up the opportunity to experience the plant in another way beyond sight.

I wonder why we spend so much energy trying to eradicate them when right out on our lawns is a nutritious salad just waiting to be harvested? And what about the medicinal uses, not to mention the ever so important relationship it has with the bees?

For me, my obsession with the dandelion lies after the flower blooms and turns into that white fluffy ball, so fragile, just waiting for a subtle breeze to release the seed-bearing parachutes. ….and so many wishes.”

Kevin has a wide collection of ‘organic’ imagery that he showcases on his website.